Portraiture has long been a vital lens for documenting the American experience, traditionally projecting a narrow vision of power and belonging. Throughout history, the genre has continued to evolve alongside a shifting national identity, embracing new styles, technologies and a broader range of subjects and perspectives. We the People examines how artists across all media—from traditional oil painting to contemporary photography—interpret the evolving meaning of the Preamble’s opening words. By centering diverse subjects and innovative techniques, these works expand the idea of American portraiture. As you move through the gallery, consider: how will the next 250 years of American portraiture redefine how we see ourselves? Image Credit: Ben Durham (American, b. 1982), Don, 2009, graphite on handmade paper, 59 x 43 in., Gift from the collection of John and Eleanor Lock, AG.2019.5.4. Douglas J. Eng Photography.
