Join Nick Wroblewski, woodcut printmaker, for four days of carving, inking, and printing exploration. We will investigate the many methods of relief woodblock printmaking. Techniques include: image transfer, carving, reduction, and multi-block methods. Simplifying the intricate world of print design, this class will provide instruction on layering, reverse imagery, registration, and printing with a press. Also included are guided discussions on subject matter, abstraction, and conceptual intent. There will be dedicated time for studio work, group discussion, demonstrations, and individualized guidance. Students are asked to bring the following supplies Carving tools 1/16″ (@1.5 mm), 1/8″ (@3 mm), 1/4″ (@4.5 mm), 3/8″ (@6 mm) U-Gouges. In addition, 1/8″ (@3mm) V-Gouge is recommended. Any larger U-Gouges or V-Gouges might also be helpful. Images Inspiration for your print or an idea for general subject matter. Sketch book and/or drawing paper, tracing paper. Miscellaneous Triangle ruler Mechanical pencils Ultra fine point Sharpie pen Mat knife/X-acto (I like the OLFA brand with sections of the blade that can be snapped off as the edge dulls.) Covered in your supply fee 10 sheets Rives BFK paper per student 2, 9 x 12-inch Shina woodblocks Use of Akua inks (three primary, one black and one white) Transfer paper Mylar This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.
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