Tim Feeney’s Dowsing

tickets Ten repetitive sonic interventions within the eroded landscapes of the Burren, County Clare, Ireland. These occur at sites of local “anti-monuments:” a kilometers-long, natural limestone pavement high above Galway Bay; stone farm walls and remnants of circular structures on hillsides; cairns near a shoreline; a field of glacial boulders interrupted by a road smashed from the surrounding stone formations, in forced public work by the starving during the Great Hunger of 1845 to 1852. These structures speak to both the passage of geologic time, and the care and efforts of human survival beginning in the Neolithic period and tended through the present, though local history at each site may be lost, or unrecorded. These are introduced in title cards in English, italicized as a term in a language foreign to the observer, and in Irish in plain font, as in an observer’s native language. From one perspective, a sonic divining or physical research into the properties of land, space, light, and time in these locations; from another, an attempt as an “Irish-American” to reckon with language, archaeology, and history felt as formative but inarticulable without lived context. After a point, you can only ask the stone so many questions, and sometimes you can only hear your own voice in response. Tim Feeney makes sounds and images in and for forests and waterfronts, investigating unstable sound and duration. His recent sound and video work has been presented in festivals and residencies at the Contemporary Art Center New Orleans; the Ringling Museum of Art in Sarasota, Florida; the Burren College of Art, Newtown Castle, Ireland; the Denver Underground Film Festival; Festival International Musique Actuelle Victoriaville; Roma Short Film Festival; CICA Museum, South Korea; Fonderie Darling, Montreal; Sonorities Festival, Belfast; Revolutions per Minute, Boston; Millennium Film Workshop, new York; and the Los Angeles Center for Digital Art. As a musician, he appears in bookstores and basements with Sarah Hennies and Greg Stuart as the trio Meridian; in galleries and libraries with Vic Rawlings and Annie Lewandowski; in tunnels and train stops with Cody Putman and Cassia Streb; in colleges and museums with Andrew Raffo Dewar, Holland Hopson, and Jane Cassidy; and in occasional festivals and concert halls with Anthony Braxton, Ingrid Laubrock, and the Partch Ensemble. He is a faculty member at the California Institute of the Arts. https://www.timfeeney.com IG @theothertimfeeney Add to calendar Google Calendar iCalendar Outlook 365 Outlook Live