Book Club: The Director by Daniel Kehlmann

Anjeana K. Hans will join the LBI Book Club to discuss The Director by Daniel Kehlmann G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator. Daniel Kehlmann was born in Munich and lives in Vienna, Berlin and New York His novels include: Measuring the World, Me & Kaminski, Fame, F, You Should Have Left and Tyll, and he has won numerous prizes, including the Candide Prize, the Literature Prize of the Konrad Adenauer Foundation, the Doderer Prize, The Kleist Prize, the WELT Literature Prize, and the Thomas Mann Prize. Tyll, in a translation by Ross Benjamin, was shortlisted for the International Booker Prize 2020. Measuring the World was translated into more than 40 languages and is one of the biggest successes in post-war German literature. The Director, his 14th novel, also translated into English by Ross Benjamin, was shortlisted for the International Booker Prize 2026. Anjeana K. Hans is Professor of German Studies and affiliated faculty in Cinema and Media Studies at Wellesley College. Her research focuses on early silent film and on German and Austrian film of the 1930s, with emphases on questions of gender, identity, and subjectivity, on the representation of difference, and on exile and migration. Her publications include work on gender in Weimar cinema (Gender and the Uncanny in Films of the Weimar Republic, Wayne State UP, 2014), on the varied cultural anxieties and fascinations contextualizing Weimar film (Warning Shadows, Camden House, 2021), and on independent films in Austria (“‘Komisch ist die Welt, wie ein Traum:’ Franziska Gaal’s Verwechslungskomödien and the Exile’s Crisis of Identity,” in Rethinking Jewishness in Weimar Film, eds. Barbara Hales and Valerie Weinstein, Berghahn Books, 2021). She is currently working on a study of films produced in Austria between 1933 and 1938 by filmmakers forced out of the German film industry, in which she examines how they engage with the experience of exile and expulsion through narrative and aesthetic. We use cookies on our site to enable functionality and analyze traffic. By clicking “I Accept” or “X” on this banner, or using our site, you consent to the use of cookies unless you have disabled them in your browser settings. To learn more, view our Privacy Policy.