The Cedar Presents Chicago Farmer & The Fieldnotes with Jack Klatt Saturday, November 14, 2026 / Doors: 7:00 PM / Show: 8:00 PM All Ages Seated $17 Advance, $20 Day of Show Buy Tickets *For Cedar Presented shows, a $4 facility fee is included in the ticket price (Ticket fee info here). This is a seated show with general admission, first-come-first-served seating. The Cedar is happy to reserve seats for patrons who require special seating accommodations. To request seating or other access accommodations, please go to our Access page. For Cedar presented shows, online ticket sales typically end one hour before the door time, and then, based on availability, tickets will be available at the door. Tickets purchased at the door will include a $1 Eventbrite fee. LISTEN ABOUT THIS SHOW “After a few listens to the record it becomes apparent that Chicago Farmer has a refreshingly firm grip on where he comes from. The songs are covered to the elbows in dirt from the fields and smell of the sweaty factory floors. If the Midwest is looking for a voice, the search is over.” - No Depression CHICAGO FARMER When taking on the moniker Chicago Farmer, singer-songwriter Cody Diekhoff aimed to not only showcase the dichotomy of his life and travels — growing up in the tiny Illinois farm community of Delavan, and calling “The Windy City” home for several years — he also wanted to honor his past through his uplifting, introspective melodies. “My hometown kind of goes with me wherever I go,” Diekhoff says. “All the things I learned from my grandparents, I take that with me wherever I go. They’re always in my heart and in my mind.” Which is why Diekhoff’s latest offering, Homeaid, puts a spotlight on the old soul nature and deep ethos of compassion and camaraderie that resides at the core of his being. A blend of Americana, indie-folk and roots-rock, the album swirls effortlessly into the ether of a modern world facing uncertain times. “Home is where the art is/Home is where there’s song,” Diekhoff erupts on the title track. “It hits you the hardest/When you’re away from home too long.” “If anything, I want my music to be genuine and authentic,” Diekhoff says. “My grandfather was a storyteller. He was a veteran, a family farmer, and he just collected stories. Hearing him tell all these stories definitely transferred over into my storytelling that’s in my music.” Meandering through Homeaid, there are odes to teenage transgressions in the name of irresponsible enlightenment (“Tina Hart’s Mustang”), odes to the splendor and tragedy of growing older (“Sorry You’re Sick”), odes to nothing and everything (“Mattress”) — the cultivation of which being Diekhoff and his curious life, one remaining in perpetual motion, onstage and on the road. “People come to watch it run when the sun went down/To raise a glass as it passed and hoist up the crown,” Diekhoff howls into the heavens. “Yeah, Tina Hart’s Mustang was the fastest car around.” With Homeaid, it’s this...
