The Cedar Presents HORSE LORDS Saturday, July 11, 2026 / Doors: 7:00 PM / Show: 8:00 PM All Ages Standing $25 Advance, $30 Day of Show Buy Tickets *For Cedar Presented shows, a $4 facility fee is included in the ticket price (Ticket fee info here). This is a standing show with an open floor. To request seating or other access accommodations, please go to our Access Page. For Cedar presented shows, online ticket sales typically end one hour before the door time, and then, based on availability, tickets will be available at the door. Tickets purchased at the door will include a $1 Eventbrite fee. LISTEN ABOUT THIS SHOW Horse Lords’ lengthy, hypnotic, polyrhythmic pieces draw from Krautrock, Afrobeat, and Appalachian folk traditions. The Baltimore-based quartet formed in 2010 and has spent the last 16 years touring relentlessly in the DIY music scene. Horse Lords Horse Lords were founded in Baltimore, Maryland in 2010; they evolved from the experimental collective Teeth Mountain and began as a trio with drummer Sam Haberman, guitarist Owen Gardner, and bassist Max Eilbacher, soon adding alto saxophonist Andrew Bernstein to the core ensemble. Though Horse Lords grew out of the fertile Baltimore noise and leftfield rock scene, a storied environment for artists and weirdos that has nurtured many an influential outsider band (Lungfish, Matmos), their approach is more omnivorous than the stippled rhythms of instrumental electric rock would indicate. Across sixteen years of frequent touring, Horse Lords have released ten studio, live, and collaboration albums in addition to a split EP with fellow Baltimoreans Lower Dens, a handful of singles and compilation tracks. For RVNG’s FRKWYS series, the band collaborated with Berlin-based composer Arnold Dreyblatt, a onetime student of La Monte Young and Pauline Oliveros whose just intonation chamber music was a crucial part of the post-Fluxus Downtown New York City environment. With the relocation of three of the four members to Germany beginning in 2021, the potential for more further creative exploration, and performance opportunities including the Moers Festival (with an 11-piece lineup, interpreting Julius Eastman’s music as well as their own), the interdisciplinary phases of the band’s music was poised for fascinating new directions. The band observes “We are always trying to balance working within the limitations of the quartet and pushing beyond them. For their second studio album on RVNG Intl., Demand To Be Taken To Heaven Alive!, Horse Lords have followed this notion and augmented the instrumentation, expanding the format slightly to include bass clarinetist Madison Greenstone (TAK Ensemble), trombonist Weston Olencki (Nate Wooley, RAGE Thormbones) and vocalists Nina Guo (Departure Duo) and Evelyn Saylor (Holly Herndon, Caterina Barbieri) across a program of twelve original compositions. Demand To Be Taken To Heaven Alive! is a reference to a line in a poem by Russian Futurist writer V...
